if you've done a lot of editing, or have cross faded material) by hitting play, then using the Mark pulldown in the EDL to jump from mark to mark while playing back to ensure that they start in the right place. I usually check that they've ended up in the right places (i.e. When that's done, just hit Cmd-A (select all), and Opt-Cmd-F9 (or Cmd-F9 if you prefer only Start marks without End marks on each track). So before you get to those things, you can drag your audio in (w/o marks), slide it around, cut it up, cross fade it, cut and paste it, gain node it, NoNoise it, whatever you want/need to make it sound good, in the order you (or your client) wants. Very generally, delivery is the last thing you want to do in PMCD. So I can understand what you're going through. Everything took 3x longer to do! Things are different now, and my workflow has changed to accommodate the added (and different) functionality PMCD provides. I came from WBP myself, and the first month (at least) I was kicking myself for switching. Matt, Jerry, Dave and others have given you some good tips. It might help if you think of PMCD as not just an app for assembly/delivery, but also an editor (which WBP is definitively not). Welcome to h***, no, I mean Sonic-land hehĪs you've already noticed, the entire paradigm is different than WBP or other apps with a similar UI (DSPQ, Peak, etc). Workaround: If Sonoris DDP-Creator (coming soon) works under Parallels with Windows it can be a solution for the Mac-people to use DSP-Quattro 3 burning a cd, then using Sonoris DDP-Creator to add CD-Text and export a DDP-fileset or burn a CD-master.Īgain, correct me if I´m wrong with my initial test-results! ![]() Please correct me/advise me if I´m wrong! I found the dither in the Batch-processor (not as a choice when burning cd´s), it was only a swith on/off, giving me no choises of which type of dither to add. You can open this SD2-file in Toast, but then I think all pauses are set to 2 sec so you need to enter them manually.ģ. It didn´t write CD-Text while burning cd´s (?), but CD-Text is preserved in a SD2-file that you can make (bounce). It doesn´t have any DDP-possibillities at all.Ģ. I´ve just tested it briefly, I think it has a great potential but is not complete yet.ġ. The DSP-Quattro 3 Playlist looks a lot like WaveBurner, and when playing back/switching between audiofiles it does this faster then WB. The actual stuff I burned (after a few coasters caused by a crash bug) seems okay. Not questions but other experiences: seems a bit unstable (random crashes) and a few other minor bugs. Any comments on your own workflow? Other rookie tips for Sonic Studio PMCD would be appreciated. As long as I have the necessary empty space in the actual audio file I don't think this would be a problem. They are reset to factory default after reloading - but not the default values visible in the preferences regarding offsets! ![]() Only the first file can be moved though markers do not seem to follow and a PQ error will occur.ģ) PQ Offset values are different in the preferences and in the Mark Info window, but should be the same, I assume.Ĭhanging offset values in the Mark Info window are not saved when Saving As Default Project. I can't rearrange track order by moving track names in the Mark Info window. Sometimes I can't move a file at all or it is not moved correctly. What's the reasoning behind this and how do I turn it off by default?Ģ) When trying to rearrange the track sequence in the panel window I can't move a file to the end of the project and markers do not seem to follow either. selections? Got me.ġ) A fade in and out is automatically created on all files on import (I import using drag & drop holding Command). I haven't quite grasped a lot of the concepts yet despite having read the manual twice now. I'm finding the whole interface experience less than optimum (to be polite), espcially coming from WaveBurner.
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